GQ.com – Not very long ago, she was strumming a guitar on the street and getting paid in avocados. Today she’s the most cartoonishly ubiquitous pop star on Earth. Katy Perry gives Amy Wallace an earful about aliens (real), her world-famous body (real), her “relationship” with Obama, and what the hell she was thinking before she went full geisha at the American Music Awards.
It smells like weed in here. Weed and doughnuts.
We’re in the basement of the Nokia Theatre in downtown Los Angeles, backstage at the American Music Awards, in a dressing-room suite that would be spacious if not for all the frenzied humanity crammed inside. Katy Perry sits atop a tall director’s chair surrounded by the many, many members of her team: voice coach, two hairstylists, one makeup artist, a costumer, and several others who hover and hand Perry things without her asking: Breath mints. Her phone. Eye drops for her enormous anime eyes. Special pills prescribed by her ear, nose, and throat guy to keep her voice from drying out pre-performance. “It happens,” Perry says. “It’s the nerves.”
She doesn’t seem the slightest bit nervous. Which is impressive when you consider that the 29-year-old diva (who’s never really seemed like one) is trying something different tonight. Perry has always played a dual role in the culture: at once a full-on male fantasy and a symbol of empowerment who inspires young girls. No other artist has so seamlessly blended teenage dreams and grown-up misadventures, singing about hickeys and crushes, yes, but also threesomes, blackouts, and strangers in your bed. Now, on prime-time television, she’s about to twist her image one more quarter turn, transforming from America’s audacious, outrageous cleavage-bot into its selfless, doting concubine. At precisely five o’clock, she will kick off the awards show with a Japanese spectacle featuring fluttering fan dancers, four men pounding on gongs, a forest of rolling topiary, and a metric ton of faux cherry blossoms.
Now the smell of a different type of flora—Cannabis sativa—wafts in from the hallway…. Ah, okay, Rihanna’s suite is twenty feet away. “Everyone is high!” Perry declares, giggling. She means everyone else: “The weed—I’m not friends with it.” She is bare-shouldered, bare-legged, barefooted—bare-everythinged, basically, except for the wig cap on her head and the teensy light blue Hello Kitty terry-cloth wrap that cinches above her breasts and ends where butt meets thigh. “I can’t do that stuff. I’d be like in the corner: ‘Are you trying to kill me?!’ ”
But that sugar-sweet doughnut reek? Perry takes responsibility. The doughnuts are gone—the victims, it seems, of a fried-dough orgy that ended before I arrived.
She starts warming up her voice: “Eee, eee, eee, eee, EEE, eee, eee, eee, eee!” Five notes up, four notes down, a sort of pitch-perfect keening.
“A little whinier and looser,” her voice coach commands. “Make your tongue super-loose.”
“Ex-cuse me?” she responds, batting her lashes, enjoying the vague reference to naughty things one can do with one’s mouth, then blasts out another scale. “Good,” says the coach, dodging a mascara wand and a hot curling iron to play another note on his iPad keyboard. “Now, really whiny. Say: Gwah!”
“Gwa, gwa, gwa, gwa, GWAH,” Perry projects, extending her legs, crossing them at the ankles and resting her heels on the makeup table. As someone slips a pair of glittery tabi socks onto her feet, a blur of others poke at her and tug at her and dust her face with Super White theatrical powder.
“It takes a village!” she trills, and the crew laugh anxiously. Her geisha wig has yet to be secured to her head. Her pink kimono is draped on a hanger. In just twenty-five minutes, she’s supposed to go live.
Katy Perry is on the cover of February issue of GQ Magazine! Check out in our gallery the 3 different covers and the photoshoot!
Katy is looking absolutely stunning on the cover of the January 2014 issue of Marie Claire (US) — scans to be added shortly! An extract from the interview is posted below; read the rest on the Marie Claire website.
KATY PERRY HAS HAD A HELL OF A COUPLE OF YEARS. In case you missed it: Amid a best-selling tour for a multiplatinum album, there was a divorce, a walk on the dark side, then a new relationship, a breakup, a make-up, and a return to a lighter side—all of which led to the release last October of her third album, Prism, that has since produced the chart-toppers “Roar” and “Unconditionally” and debuted at No. 1 with the biggest sales week of her career. Got all that?
Being Perry is a vigorous effort, even as she shoots whipped cream out of her bra and sings about kissing girls and teenage dreams to hordes of “KatyCat” fans. Her last album, Teenage Dream, tied with Michael Jackson’s Bad for the most No. 1 hits (five) off of a single record, and her multimillion-dollar empire includes partnership deals with CoverGirl, Eylure eyelashes, and Popchips; three best-selling fragrances (Purr, Meow!, and Killer Queen); and voicing Smurfette in The Smurfs movies. And she’s not about to slow down now. “I’m never going to be lazy, because there are 500 other people waiting in line for this position,” she says.
Today, the 29-year-old singer-songwriter is in rehearsals at the CenterStaging studios in Burbank, California, for her tour that kicks off in May and will travel all over the globe through fall 2015. In a faded zip-up Aviator Nation sweatshirt borrowed from boyfriend John Mayer and leopard-print sweatpants, Perry looks more like a track athlete at an away game than pop’s reigning Teen Dream Pop Queen. Around her, dancers and backup vocalists warm up, and band members rehearse “Roar,” which Perry will perform later in the week on Saturday Night Live. Her assistant lugs four large black bags, explaining that these are Perry’s closet giveaways; crew members draw a number and take turns going through the mountains of clothing that Perry is off-loading. (She is generous with concert tickets, too. On tour, she bikes around in a baseball cap and sweats with 10 tickets in her pocket to give to unsuspecting kids.)
If you wonder how Perry has time for a personal life with all this empire-building, often that is part of the enterprise, too. “I feel like my secret magic trick that separates me from a lot of my peers is the bravery to be vulnerable and truthful and honest. I think you become more relatable when you’re vulnerable. When you try to market yourself like some supernatural figurine who can’t be fucked with, I always resort back to Scripture: Pride comes before a fall.”
I’ve updated the gallery with magazine covers & scans from the latter half of 2013 (October-December) — many more to be added in a future update, I’m sure! Some of the photoshoots are truly stunning. Gallery links & previews are below, enjoy!
- Scans From 2013 – Last Uploads
The 28-year-old singer, who notably toned down her wild style in the past year, has landed her very first Vogue cover, shot by famed photographer Annie Liebovitz.
Wearing a floral off-the-shoulder dress and rocking bright red lips, Katy covers the July issue, whose cover interview promises to delve into her “her life, her loves,” and her ‘”fresh, romantic look.”
Perry’s full cover story and spread will be available on Vogue.com this Tuesday, June 18.
And it seems to be a month of firsts for Perry! The singer just joined Instagram, her first picture being a tease of her left eye for her upcoming Vogue cover.
So cool!! Katy looks stunning on the Vogue cover! We can’t wait for more pictures and to read the interview. Don’t forget to follow her on instagram here!
With her new movie “Katy Perry: Part of Me 3D” set to hit theaters on July 5th, Katy Perry garnered herself a little added exposure by covering the July/August 2012 of L’Uomo Vogue magazine.
The 27-year-old pop star showed off her unique style in pieces from Philipp Plein, Ports 1961 and Dolce & Gabbana for the Francesco Carrozzini shot spread while dishing about everything from style and music to same sex marriages and Madonna.
Highlights from Miss Perry‘s interview are as follows. For more, be sure to pay a visit to L’Uomo Vogue!
On the effect of spending time in Nashville:
“I went to Nashville to officially record a gospel album, but I wound up with artists and composers of various other types of music far more secular, like country and folk. At that time there was also a very lively indie scene. I think there I learned to compose songs that are intended to tell a story, in which the text plays an important role and is not relegated to the role of mere filler. Songs in which to express my personality and my feelings, because that can possibly resonate with the listener. It was there that I made my first acquaintance with the music of great artists like Jonatha Brooke and Patty Griffin, but the most formative of my career as a songwriter was perhaps finally finding myself alone with my guitar, free to create. ”
On her desire to ‘evolve like Madonna’:
“I think Madonna, especially early in his career, when she was laying the foundations of her character, has been able to evolve constantly, managing to give the audience at every appearance a new visual interpretation and concept of herself. She was able to keep up the interest of the people, because you never knew with what she would come out with the next time. And, regularly, has offered a solid and consistent musical product. I hope to do the same, to make sure that people continue to be interested in me and in ten years, to find out, looking back, I have produced songs that will never be forgotten.”
On her opinion about the recent statements by President Obama in favor of marriage between same sex couples:
“I believe in equality. I believe in love without any limits. I come from a family environment where the topic lived with many prejudices, but I have shrugged them off. I hope that one day we will look to this period somewhat ‘as today we look to the period of the civil rights struggles of blacks in America in the ’60s, which is a mixture of shame and how we are happy for the progress made.”
On her look:
“My sense of style is like one of those rings that change color with mood, always evolving. When I get up, I choose my outfit depending on my mood. If it is a ‘mixture of many things’ it is because I feel many different emotions at the same time, to the point where you feel you almost have a split personality.”
 Photoshoot & Portrait Sessions > 2012 > 007